I’ve taken on another job (unofficially) for the fall, so with teaching at three separate institutions, I’m allowing myself some real time this summer to explore my creative side. I’ve wanted to do an altered book for awhile now, but have been daunted by a number of different things. First, I’m a bibliophile, and the idea of “altering” a book, kinda weirds me out, to be honest. But, I picked up this 1953 historical romance Seed of Mischief (now THERE’s a title) in a box marked “FREE” on the street, so it isn’t as though I’m playing around with a first edition of War and Peace. This was going to be an inspiration journal a la Donna Downey, but it has since morphed into something else.
What you see here is a combo of paper piecing and cutting (see detail shot below), and the flower was punched into the paper, I put paper on the back, and then put a distressed double layer flower on top with an indian bead center. “R” is my first initial (for those of you who thought my name is really Lyra). I backed the paper cutting and did the piecing with scraps.
I think I’ve decided that I’m going to work with the book itself–the narrative and, in these preliminary pages, the biographical material of the writer (that’s her on the left: Willa Gibbs). The book came with the original jacket, complete with the art that screams “1950s historical romance” so I’ve incorporated it here on page (ii). That, my friends, is “Jeanne of France, ” the “lovely, tragic heroine.” The slipcover talked a little bit about our author’s process, so I included that here as well.
Papers are all Marrakech (BasicGrey) scraps, and the brown ribbon is from Paper Source.